Stark images show water’s role in human strife and survival


Man looking at the water level in the well M?hammed Kilito?s work ?Before it?s gone? is an ongoing photographic project documenting scenes of oases in Morocco. Morocco has lost two thirds of its oases in the last century to destructive human activities and climate change. To the artist, oases are the perfect model for sustainability, offering an ecological defence against desertification and a refuge for biodiversity. To artist M?hammed Kilito, the oasis is the perfect model of sustainability. Date palms, with their parasol-shaped foliage, create a humid microclimate and retain water in soil. This offers an ecological defence against desertification and a refuge for biodiversity. Before it?s gone is a long-term project documenting the complex issue of oasis degradation in Morocco and its impact on oases inhabitants. Morocco has been in a drought since 2018. Parts of the Sahara did not see rain for four consecutive years, while a flash flood killed dozens in the desert town of Ouarzazate in 2024. Kilito tells stories of farmers, scientists and citizen associations fighting to preserve these islands of greenery against increasingly threatening living conditions. Artist bio: M'hammed Kilito is a photographer and National Geographic Explorer based in Rabat. He is a contributing photographer to The VII Foundation, whose mission is to document the truth to empower communities worldwide to make evidence-based decisions about the challenges affecting their lives. He is represented internationally by Gowen Gallery. His artistic journey revolves around exploring the intricate connections and bonds that individuals and groups form with their environments - be it places of residence, memories, or transit points. M'hammed's work is dedicated to capturing narratives that provide insight into this profound connection, delving into subjects like cultural identity, labor sociology, and the impacts of climate change. M'hammed holds a Bachelor?s degree in Political Science from the University of Montreal and a Master?s degree in Political Science from Ottawa University. His photography has earned awards and grants from prestigious institutions, including World Press Photo Foundation, National Geographic Society, Magnum Foundation, and Prince Claus Fund, among others. His work has been featured in international media outlets such as The Washington Post, The Wall Street Journal, National Geographic Magazine, The British Journal of Photography and Vogue Italia, and has been exhibited around the world. He is a co-founder of KOZ, a collective he established with three other Moroccan visual artists to work on stories through in-depth, long-term projects.

Wellcome Collection

A man gazes at the water level in a well in Morocco as the dunes of the Sahara desert extend to the horizon in the main image shown above, taken by M’hammed Kilito.

The stark shot is part of the photographer’s ongoing project entitled Before It’s Gone, which documents the degradation of Morocco’s oases. These have declined by two-thirds in the past century due to human activities and climate change.

Despite this, Kilito sees these places as a model of sustainability, with date palms that create a humid microclimate and retain water in the soil, helping to prevent desertification. He aims to tell the stories of the scientists, farmers and locals fighting to preserve oases as Morocco experiences a drought that started in 2018.

His work is included in a major new exhibition at the Wellcome Collection in London – Thirst: In Search of Freshwater. This documents how essential water is to humanity’s survival. Moving from ancient Mesopotamia – a Sumerian poem about a war over water written in cuneiform on a tablet sits near Kilito’s photos – to the modern day, it features more than 125 objects, a mix of artworks, historical artefacts, new research and meteorological records.

The Life-Giving Spring (Zo?dochos Pege), c. 1700s Egg tempura paint, wood, gilding Courtesy of Wellcome Collection

Among them is a painting from the 1700s, The Life-Giving Spring (above), showing a spring in Istanbul, Turkey, reputed to have healing powers. Below is a map from the display with tiny dots near its centre, just above two bends in the river, showing cholera deaths in and around London’s East End amid the city’s final outbreak of the disease in 1866 – largely due to contaminated water.

Map showing the distribution of cholera in London and its environs, 1867 Journal, paper Courtesy of Wellcome Collection London?s last cholera outbreak occurred in 1866. It affected areas with poor sanitation, primarily in the East End of the city. Snow?s findings influenced how subsequent cholera incidents were handled, based on the principle that cholera was waterborne. Mapping helped identify infection hotspots and contaminated water sources. This enabled targeted sanitation interventions, improving water supply and reducing spread. Having begun in the summer, the outbreak had already subsided by the autumn. Cholera outbreaks catalysed major improvements in London?s water system. The city?s present sewerage system was installed in the 1860s by the Metropolitan Board of Works and its engineer Joseph Bazalgette.

The exhibition is on now and runs until 1 February 2026.



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